This fabulous pair of large size Ming Dynasty (1368–1644) architectural corbel carvings is striking with a vivid visual impression. These carvings are unusual both because it is quite rare to see female warrior figures being used in Chinese art, and that they are also carved in such a beautiful, lush, and almost romantic style, in a way that is symbolically unique and intriguing.

Looking at the facial expressions of the two figures: The one on the right with eyes almost closed, looking down, with red cheeks smeared with rouge, wearing flowers on the hair, slightly smiling, with an expression of self content and confidence. The one on the left, equally at ease, looking forward down, with lips slightly open. Both figures were created with short and strong torso with powerful and stocky arms, lifting a weapon above the head. Such portrayal of female image is very contrary to the traditional view of female aesthetics shown in Chinese art in general except for those from the Tang Dynasty when women were shown to be more liberated. Each figure rides on a large bird, wonderfully carved in sculptural form, above the clouds, with equally plump and rounded body that wraps the figure with strong and thick extended wings. Together, in an almost festive mood, these two empowering figures represent themselves as female warriors or guardians.

Corbel carvings often come in pairs. They were often used as upper supports for a door way, an entrance, or architectural posts that connected to a larger ceiling structure of a building.

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